Posted by Peg in South Carolina
Even with knots, silk yarn winds very smoothly from well-wound cones onto bobbins and pirns. The silk yarn would not have wound on to the pirns and bobbins at all well had I tried to wind them directly from the skeins. Taking the time to wind onto cones first definitely pays off.
To the right is a photo of the tensioner I use to help me wind pirns. It was made by John Stegmuller who designed something he calls the olympic pirn winder. This last was reviewed on Episode 18 of Weave Cast. Go here to listen to it.
I have used this tensioner for around five years now and am really happy with it.
The yarn, threaded on a big needle, enters the left side of the tensioner. It goes around the first pink thing, then in between the two black discs and around to the next pink thing and out onto the right side. The space between the discs can be adjusted by turning the wing nut at the top. The amount of space determines the tension on the yarn.
I hold the whole tool in my right hand and move it back and forth, just as I would if I were holding the yarn between my fingers. This saves burning of my fingers.
More important, this tool puts a lot more tension on the yarn than I can put by holding it between my fingers. That greater tension results in a pirn that is smoothly and firmly wound. Those are requirements for yarn wound onto pirns.
Related Post: Pirn Winding
“Pirns and Bobbins Wound” was written by Margaret Carpenter for Talking about Weaving and was originally posted on May 4, 2009. ©2009 Margaret Carpenter aka Peg in South Carolina
2 comments:
"Zing!" is an understatement on those colours, Peg. Can't wait to see this in-the-weaving.
Thanks, Cally. Though the Zing factor will be toned down by the warp.
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