Posted by Peg in South Carolina
Related Post: Playing with Color
“Color and 6-Shaft Crackle” was written by Margaret Carpenter for Talking about Weaving and was originally posted on January 29, 2010. ©2009 Margaret Carpenter aka Peg in South Carolina.
Posted by Peg in South Carolina
Related Post: 4-Shaft Crackle 01.11.10
“6-Shaft Crackle Drafts So Far” was written by Margaret Carpenter for Talking about Weaving and was originally posted on January 28, 2010. ©2009 Margaret Carpenter aka Peg in South Carolina.
Posted by Peg in South Carolina
I recently read about Susan Jarmain on Nigel’s blog. Go here to read the entire post.
Susan is a Canadian weaver who uses silk as her fiber and ikat as one of her techniques. What caught my attention was the fact that she uses a very small portable loom to make what Nigel refers to as mini-mockups of her larger pieces.
The loom is unbelievably simple. It is nothing but a piece of foam board with pins angled in at top and bottom from which to wind the warp. She needle-weaves the weft. Nigel describes these mock-ups as pretty accurate. Nigel has an image of her setup on the blog post I linked to above.
Go to Susan’s website to see some of her work.
I am fascinated. But I simply cannot imagine plotting out a large piece using this kind of small scale loom. Even doing this in black and white or black, white and gray. Yet artists do that very thing. How would I do it? Perhaps I just have to try it to find out.
POSTSCRIPT
I have been thinking for quite some time about the possibility of combining ikat and crackle. Go to this post written in 2007 for how I was thinking then: Leaving the Comfort Zone No, I have not yet left the comfort zone…….
“Weaving Sketches” was written by Margaret Carpenter for Talking about Weaving and was originally posted on January 26, 2010. ©2009 Margaret Carpenter aka Peg in South Carolina.
Posted by Peg in South Carolina
My introductory post on 6-shaft crackle got me thinking more about weaving software. The more I thought, the crazier I got.
THREADING
First, PixeLoom is set up so that the easiest way to do the threading is to begin at the right side and move to the left. However, some weaving texts set the threading up to go from left to right.
I have set up my 6-shaft crackle threading so that the blocks start on the left and move to the right.
When we read, we read left to right, so it makes sense to set up the threading that way. But for people like me who are right handed, it makes more sense to set it up from right to left because that is how we thread the loom. Or at least that is how I thread the loom.
TREADLING
In my weaving software, the treadling goes from top to bottom. And that is how I read the treadling when I am at the loom.
But some weavers (Scandinavian?) read the treadling from bottom to top. When it comes to weaving, that makes more sense because that is how we actually weave. If we have a particular design, and it is not the same both ways, it is going to matter which direction you treadle or the top side is going to turn out to be the bottom and the bottom the top. Which changes your threading pattern to go in the opposite direction.
But we read books from top to bottom, so that is our basic instinct when we read a treadling draft. Yet we have no trouble reading a threading from right to left, which is not a basic instinct.
Knitters generally read their lace, stitch, or color charts from bottom to top. That is how they knit. If they are knitting from the top down (which I often do because that is how I knit circular raglan sweaters) they then read the charts from the top down.
I have absolutely no trouble reading knitting charts from bottom to top. But I would get very confused (I think) if I read my treadling charts from bottom to top.
CONCLUSION?
Much of the time this doesn’t really matter. But in the kind of weaving I do it sometimes does matter. When it does, I am going to have to pay attention.
POSTSCRIPT
I have just received Alice Schlein’s latest publication, The Liftplan Connection. I note that in her third chapter she addresses this very issue I have just been discussing and makes clear how she is handling it.
“Weaving Software Makes Me Crazy” was written by Margaret Carpenter for Talking about Weaving and was originally posted on January 22, 2010. ©2009 Margaret Carpenter aka Peg in South Carolina.
