Showing posts with label spinning. Show all posts
Showing posts with label spinning. Show all posts

Tuesday, July 6, 2010

PRE-ORDERING DOT’S NEW SPINNING MAGAZINE

Posted by Peg in South Carolina

I saw today that Dot’s new spinning magazine, called YarnMaker,  is nearly ready to be printed. From the description of the magazine on her blog, Dot’s Fibre to Fabric, it looks like it’s going to be a wonderful magazine.  And from having observed Dot’s blogging, I believe it will be extremely well done.

I was all set to pre-order it.  I went to her website from the link in her blog and there I found the order form. She makes it possible to use a credit card—very easy for those of us on the other side of the pond! But after I had printed out the order form, I discovered that she was going to enable Paypal payment towards the end of July, so I decided to wait for that option.

I am so excited!  I have missed Dot’s blog posts, but she has been using her time well.

And yes, I do spin, though not as much as I would like.


Pre-ordering Dot’s New Spinning Magazine” was written by Margaret Carpenter for Talking about Weaving and was originally posted on July 6, 2010. ©2010 Margaret Carpenter aka Peg in South Carolina.

Tuesday, June 22, 2010

THINKING ABOUT AFGHAN FROM HANDSPUN

Posted by Peg in South Carolina 

I love to spin.  I do not get a lot of chances to do it, but when I can, I do.  I rarely spin for Orange Plied Skein a particular project.  I spin because I have found some fiber I love.  The result of this is that I generally purchase only 4 ounces of any given fiber and the result of that is that I never have a lot of yardage of any one particular fiber. 

Spinning this way has never bothered me.  Spinning, for me, is simply an indulgence.

A piece in the latest Spin-off magazine* about using small amounts of fiber in hand knitting projects got me started thinking.  What about modular knitting?  I could design a modular knit afghan, not unlike the one I knit for our grandson when he was born.

And then I thought about weaving a patchwork afghan.  But when I thought about sewing the pieces together, I balked.  So I thought about weaving long strips.  Still didn’t like the idea of sewing strips together.

So, what about putting on a warp with narrow or broad stripes of the different handspun yarn and then weaving with those to create small or large checks.  And what about doing it double width.  Voila.  The germ of an idea finally arrived.

*The essay is by Ingrid Brundin and is called “Making Shells—Using up small bits of handspun with modular knitting.”

Related Post: 
Reflections on the Baby Blanket

Thinking about Afghan from Handspun”  was written by Margaret Carpenter for Talking about Weaving and was originally posted on June 22, 2010. ©2010 Margaret Carpenter aka Peg in South Carolina.

Friday, July 31, 2009

NOT ABOUT KNITTING

Posted by Peg in South Carolina

Handspun cardigan begun

I had spun and plied about 1200 yards of the yarn you see here.  I had intended it for weaving but then decided that it would look much better knitted up.  So I designed a top-down raglan cardigan with the top starting about 2” below the normal top for a cardigan and with a slightly scooped neck in the front.  I did this partly because I knew I really didn’t have enough yarn and I was working out ways of knitting that might allow me to use this yarn.  I intended to crop both the body and the sleeves, for example.

And I do like the way the yarn looks knitted up.

But the problem is that the yarn is very fine and that it is a 2-ply.  Because it is very fine, I am knitting it on size 3 needles, but I think size 2 needles might have been a very slightly better choice.  And because it is a 2-ply, the yarn doesn’t really fill out the stitches, which is probably why I think a smaller needle might have worked better. 

I was OK with the idea that it might take the rest of my life to knit a cardigan on these size needles (VBG!).  But I finally decided that I was not OK with the fabric that was being created.  It was also becoming clear that because the yarn was so fine I really didn’t have nearly enough yarn.

The size of this yarn, by the way, is really my default yarn when I spin with my electric spinner.  It is a nice size and consistency for weaving, but to knit with it, I would have to spin enough to make a 3-ply yarn.  Unless I plan to knit lace for which 2-ply yarns seem to work very nicely.

And then a thought came to me.  I could use it in shadow weave with the same size silk in one of the greens.  I might even consider painting the silk warp in two of the greens and then paint the silk weft in those same two greens.

Related Post:   Spinning Weaving Yarn with an Electric Spinner


Not About Knitting” was written by Margaret Carpenter for Talking about Weaving and was originally posted on July 31, 2009. ©2009 Margaret Carpenter aka Peg in South Carolina.

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Thursday, February 26, 2009

HANDSPUN WARP QUESTION

Posted by Peg in South Carolina

A friend recently emailed me the following question:

I'm intrigued that you're using handspun for warp.  Did you overtwist it or something to make it strong?  I don't think any of my handspun would hold up under warp tension.

Reading the question made me realize that I had nor dealt with this issue in a blog post, and needed to.

The answer is, no, I do not overtwist the yarn.  I simply spin a singles yarn to a size that I think I will like when it is plied as a balanced yarn.  I spin it with the amount of twist I need to put in that will give me what looks like a nice yarn when I test it by plying a bit of freshly spun yarn.  I spin it.  Then I ply it, skein it, soak it in hot soapy water, rinse and let it drain. The result, if I have done it right, is a balanced 2-ply yarn.

Spinning worsted style would result in a very smooth and very strong yarn.  But I do not want this kind of yarn for the scarves and shawls I like to weave with my handspun. So I spin semi-woolen style. This gives me a soft, but not too soft, yarn that holds up well in warping and weaving.  

Someone who is worried about a yarn holding up under warp tension can hold a piece of yarn with hands maybe a foot or so apart.  Then yank quickly and hard on the yarn.  If it doesn’t break, the yarn will do very well for warp.  It is often a good idea to check commercial yarn the same way.  One never knows!

Also, when I wind the yarn onto the back beam, I use only half the amount of weight that I would use for silk or cotton.  And when I weave, I use a fair amount of tension, but not the amount of tension I would use for silk or cotton.  For silk or cotton I ratchet up the tension very very high, almost to the point that I could weave tapestry. 

Weaving with such high tension, by the way, can be problematic for a jack loom.  On a jack loom a shed is produced by raising shafts, the remaining shafts moving neither up or down but staying at rest at the bottom.  There is a lot of tension on those raised shafts.  On a counter-balance or a counter-marche loom, shafts are raised AND lowered so that the tension is more evenly distributed.  This system is also much easier on the loom itself.  This is why jack looms are not recommended for tapestry or rugs. Both require extremely high tension to pack in the weft as tightly as it needs to be packed in.

This counter-marche system would also make it easier to weave my fine silks warped at high epi’s.  The warp ends would be pulled up and down equally and so would be less likely to stick to each other and cause bad sheds and skipped warp ends.  To compensate, I have learned to weave these threads with the fell closer to the beater than I usually do.

My loom is designed so that I can make adjustments to individual treadles so I can get any given group of shafts on a particular treadle to rise as much or as little as I want (within reason, of course!). This ability to adjust the treadles brings my loom a little way towards a counter-marche loom.   And it also has rear-hinged treadles which makes lifting the shafts easier.  But it is still at heart a jack loom.

But back to handspun.  Some people use a sizing on their handspun chains before putting them on the loom.  Paula Simmons, in her book, Spinning and Weaving with Wool, has an excellent description of how to do this and includes a recipe for it that she uses.  She thinks it is a good idea because of the possibility of weak spots in the yarn.  My answer to that would be that warp yarn, hand spun or commercial, can and does break.  If the handspun does break does break treat it as a commercial yarn.  Weave in with a new weighted end until you reach the spot that you can re-attach the regular warp end to the fabric.  Not a big deal!  So far (knock on wood!) none of my handspun warps have broken.  But I always have plenty extra for replacement ends.

Something worth noting.  I have not talked at all about yarn thickness, twists per inch.  So far as the spinning of the singles goes, I make my decision totally on what a particularly fiber looks like when it is spun.  And since I spin with an electric spinner, and spin very fast with it, there is no way I can do anything akin to counting treadles.   I spin totally by look and feel.  When I first started spinning, I though that kind of spinning was impossible.  I did not know it was possible until I purchased my electric spinner and discovered how much, over the years of spinning, had been built into my muscles and sense of touch and feel.

Plying is a different story.   My electric spinner is very cheap and I can spin on it in only one direction.  So I ply on my trusty Ashford Traveler.   And here I get anal-retentive again for I figure out how much yarn to let in with each treadle and then spin with that formula.

Related Post: 
Jack and Countermarch Looms
Where is My Fell?
Spinning Weaving Yarn with an Electric Spinner  (scroll down the page)
Warping with Handspun


Handspun Warp Question” was written by Margaret Carpenter for Talking about Weaving and was originally posted on February 26, 2009. ©2009 Margaret Carpenter aka Peg in South Carolina